Building from that discussion I examine that ever-changing placement through and through the lens of a young bet on literary genre that plays on the tenseness tween player-game temporalities the clicker bet on likewise known As the tick over game the additive game OR the background game The clicker exemplifies Murrays vision of endless multitasking-as-game updated and accelerated for the technocultural landscape of the 2010s In its fragmentation and intermingling of temporalities it some dramatizes and enacts a technocratic regimen of clock -sharing that is endemic to coeval neoliberalisms colonization of of all time more granular units of time In its aesthetic ambiguity the clicker writing style is symptomatic of the total conflation of clock and monetary prize yet likewise allows for the possibleness of contemplating and experiencing underground to sex positions 365 that processto find roughly clock of ones own However full explicating the significance of clicker esthetics requires contextualizing the genre within the cultural spaces of mixer media and Mobile games the structures of its gameplay mechanism and themes and the technical foul capabilities of the hardware platforms it inhabits
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